|
|
|
|
Joyce Garner |
|
 |
|
With election year upon us Ms. Garner
has turned her whimsical brush and eye on election year politics. The title
of the show will be "Election Year", with a carousel serving as a metaphor
in many of the paintings for the circular nature of political change in our
country. Ms. Garner has had numerous solo exhibitions and participated in
many group exhibitions in Indiana, Kentucky, and elsewhere. Her work is
collected both privately and publicly. |
|
Sat. June 14 - Thur
July 10, 2008 |
|
|
|
|
View Works! |
|
About
Garner |
|
|
|
|
|
Marin-Price Galleries
Annual Summer Exhibit |
|
 |
|
This summer the Marin-Price Galleries will
inaugurate its First Annual Summer Exhibit. The exhibition will include the
galleries’ regularly featured artists, as well as many of the galleries’
lesser known talents. Collectors new and old will have the opportunity to
view most of the galleries’artists in one exhibit, providing a rare glimpse
of the galleries’ full range of talented artists. Artists represented in the
exhibit will include Alyce Frank, Elio Lazzari, Michael Graves, Jamie
Marin-Price, Becky Parrish, John Chapman Lewis, Joann Rea, Diane Feuillet,
Dena Lyons, and many more. |
|
Sat. July 19 - Thur
Aug 22, 2008 |
|
|
|
|
|
View Works! |
|
|
|
|
|
|
|
March Avery |
|
 |
|
March Avery most likely drew before
she talked. Daughter of renowned American painter Milton Avery, March was
trained to paint by her father at a young age. She has maintained a painting
studio in New York City for many years where she continues to paint. Her
style is very much in the Avery tradition, but with a directness and
eloquence unique to herself. She paints landscapes on large canvases
emphasizing broad areas simplified in both color and form. Her colors range
from vibrant to subtle. She utilizes unique gestural strokes of paint to
bring detail to her work. She does figurative work, still lifes, and playful
paintings of animals, drawing inspiration from her farm in New England and
the New York City Zoo. Her work can be found in many museums and private
collections throughout the United States. |
|
Sat. Sept. 13 - Thur
Oct 9, 2008 |
|
|
|
View Works! |
|
About
Avery |
|
|
|
|
|
Joan Griswold |
|
 |
|
Joan Griswold’s paintings are
explorations of light and the atmosphere light creates as it falls on both
exterior surfaces (i.e. buildings) and interior spaces (i.e. bedrooms or
work spaces. Most of her work dispenses with details which detract from the
mood sunlight creates as it falls on these surfaces and in these spaces. She
is capable of capturing the beauty of the patterns light creates on
architectural forms as well as the ambiance of the light streaming through a
door or window into a private interior space. Her brushwork is seen but its
fleeting quality seems to reinforce the passing moment - missed if not
brought to our attention by her. She has been exhibiting her work for over
twenty years in solo and group exhibitions. Her work has been written about
extensively in major art publications and is collected both privately and
publicly. |
|
Sat. Oct. 11 - Thur
Oct 30, 2008 |
|
|
|
View Works! |
|
About Griswold |
|
|
|
|
|
|
|
Joseph
Sheppard |
|
 |
|
Joseph Sheppard has been painting and
sculpting for over fifty years. His subject matter ranges from traditional
"nature morte" (still lifes) reminiscent of the seventeenth century Dutch
painters to gritty urban realism a la "the Ashcan School" of the early
twentieth century. His most recent traveling exhibition entitled "Beast of
Burden" was a kind of journalistic expose in paint of the working men, women
(and children) around the world. The viewer will find no abstraction in
Sheppard’s work, the artist firmly believing that the content of painting
must proceed from, reflect, and involve the visible world - whether
beautiful in the traditional sense or be the reflection of the ugliness of
the real world. Sheppard’s work is in the permanent collection of museums
worldwide - most recently in the National Portrait Gallery. He has written
several books on human anatomy for artists, and is a staunch adherent of the
classical traditions in art. The University of Maryland is in the process of
opening a museum dedicated to his work. |
|
Sat. Nov. 1 - Thur
Nov 27, 2008 |
|
|
|
View Works! |
|
About
Sheppard |
|
|
|
|
|
|
|
William
Woodward |
|
 |
|
William Woodward’s work is well-known
in Washington, D.C. and beyond. He firmly established himself in Washington,
D.C. as the head of the painting department at George Washington University.
He also established himself as one of the premier muralists in the country
during those years. He maintains himself as both an easel painter and a
muralist. He maintains a studio in Brittany, France, where he is inspired to
paint the colorful European street cafes and markets, as well as the
dramatic landscapes of that region. His work is realistic yet not
over-worked, with more interest in arresting those fleeting moments of light
and color which bring the viewer back to some prior reminisence. Woodward’s
paintings are in both private and public collections. His most recent mural
has been installed at the "Lincoln Cottage" on the grounds of the Old
Soldiers’ Home in Washington, D.C., and he is currently working on a mural
for Thomas Jefferson’s home at Monticello. |
|
Sat. Nov. 29 - Thur
Jan 6, 2009 |
|
|
|
View Works! |
|
About
Woodward |
|
|
|
|